Through estranged compositions, I reimagine familiar objects as unstable yet lifelike. Drawing from childhood and memory, the work explores belonging, identity, and the elusive, ever- shifting concept of home..

My series of photographs examines the relationship between memory and displacement by recontextualizing objects that span different time periods—fragments of personal and collective histories. A toy from the 1950s, a Game Boy, an old ship’s compass, a vintage light fixture, a bell, or a soda bottle—each of these objects carries cultural and emotional weight, acting as artifacts of past lives and shifting identities. They appear both unstable and lifelike, as if possessed, embodying a sense of familiarity and estrangement. Through controlled compositions, I explore the tension between rootedness and impermanence, reflecting my ongoing search for home.

These objects, once embedded in domestic spaces, are now isolated from their original contexts, suspended in a state of transition. Their instability mirrors the experience of being caught between belonging and detachment, between a place once called home and the need to redefine it.

Each piece, chosen intuitively, forms part of a fragmented timeline—suggesting the way memory reconstructs home not as a single place, but as a shifting, layered experience.
This visual dialogue is shaped by my own journey as an adoptee, navigating the complexities of identity and the ways in which material objects anchor us to histories that are both personal and inherited. By deconstructing their context, I invite viewers to reflect on their own relationships with memory, place, and the lingering presence of things left behind.

My series of photographs explores the tension between stability and fragility, examining the dialogue between nature and humanity through the image of the tree. I use the tree not only as a metaphor but also as a symbol for my own search for roots and inner strength. As an adopted child, the tree represents my journey of seeking stability and connection in a constantly shifting world.

The trees I photograph, often rooted in complex historical and political landscapes—ranging from the ancient lands of the Roman Empire to contemporary scenes in Palestinian territories—reflect resilience in the face of external forces and changing environments. Through balanced yet charged compositions, I explore the idea of home and the feeling of displacement.

Accompanying these images are subtle fragments of core memories—fragments shaped by difficult figures and experiences. A photograph of a disc saw symbolizes a fragmented relationship or struggle to piece things together, while a broken baby statue stands for vulnerability and loss. Together, these elements deepen the narrative, highlighting the emotional impact of past wounds and the struggle to find grounding amidst brokenness.

This series delves into themes of resilience, identity, and the search for stability, weaving together the strength found in nature with the personal journey of healing and self-discovery. It invites the viewer to reflect on the interplay between inner strength and external forces, and to consider the power of roots—both literal and metaphorical—in grounding us through life’s uncertainties.